Micro and Macro with “Mamma Mia?”
Learning the Laffer curve with “Les Miserables?”
Surely Adam Smith would have enjoyed a session on surplus
singing along with “Miss Saigon.”
Welcome to the world of Broadway Economics, starring AAEA
member Matthew Rousu, Interim Dean and Professor of Economics of the Sigmund
Weis School of Business at Susquehanna University.
“I started working with some outstanding economists who
showed how to make economics classes more innovative,” Rousu said. “Some of
them even did it through songs. Others had websites illustrating how to teach
using television shows.”
Rousu is now, as his website puts it, “teaching economics
through musical theatre.” Why show tunes? Rousu became a fan of theatre in
college, and married a music and theatre double major. That helps, but Rousu
says it’s a classical learning tool.
“Musicals tell stories, and many of the stories contain
economic lessons. While I, and most people who receive a Ph.D. probably don’t
need a song to learn an economic concept, there is a significant amount of
research that shows that some people learn much better if a concept is
reinforced through music.”
Rousu says he uses more than just the songs you’ll hear on
Broadway, in fact he says he’s had students tell him they heard a song on the
radio and remembered the economic concept he tied to that song. While you don’t
hear of a lot of students loading up their playlists with show tunes, Rousu
says he’s had some converts.
“I have introduced many students to the musical ‘Hamilton’
and then they’ve become fans of the show!”
When he’s not thinking of ways to work “Phantom” or “Sunny
Afternoon” into the syllabus, Rousu says his research is on a wide range of
topics; although he says most projects have involved experimental auctions.
“My work has varied from using experimental auctions to
assess the value consumers place on information, examining the impact of
labeling policy, to examining the value for products. But I’ve also done work
examining the effectiveness of alternative experimental auction designs.”
As for his time with AAEA, Rousu went to his first Annual
Meeting in 2001 and says he finds the meetings “valuable.”
“Many of the ideas that eventually turned into papers came
from attending sessions at the AAEA Annual Meeting, during discussions at the
reunions or by just running into colleagues at the meetings and chatting about
ideas.”
Rousu has advice for some of the younger members finding
their way in the profession: “You can follow a non-traditional path and be
successful. There is no one way to have a successful career and sometimes
following a different path can be a lot more fun.”
Get to know AAEA Members:
Matthew Rousu: “From 2004-2011 I was a semi-professional
poker player. The “semi” part of that statement means poker was not my
main job. But the “professional” part means I treated poker as a
profession. I took the game very seriously and earned some income over that
stretch of time, mostly by playing on the Internet. I also competed in
the World Series of Poker in Las Vegas in six different years, with two cashes
in eight events played. When the U.S. government essentially shut down
Internet poker in 2011, however, I stopped playing as seriously. Now I
get to a poker room a few times a year, but that’s about it.”
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